THE CIRCUIT by LO-FI SAINT LOUIS

Tony Renner
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  • St. Louis, Missouri
  • United States
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Tony Renner and Larz7 Graphics are now friends
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Profile Information

Hometown:
Hillsboro, Illinois
Where I live now:
St. Louis, Missouri
About Me:
I am an over-educated retail wage-slave.
Website:
http://tonyrenner.blogspot.com
I have this other website, too:
http://www.myspace.com/tonyrenner
Relationship Status:
In a Relationship
Sexual Orientation
Straight
TV shows I watch:
no.
Movies I like:
none.
Music I listen to:
blech.
Ever watch Lo-Fi Saint Louis or Lo-Fi Sessions? If not what are you waiting for? Do it now! here: http://lofistl.com ... we'll wait, come back when you're done ... OK ... Now that you've seen it, what is your favorite episode? (BTW this network is for fans of Lo-Fi Saint Louis thats why we ask--don't worry if you aren't a fan, there is still time to become one!)
no

Comment Wall (6 comments)

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At 3:21pm on October 2, 2008, kopper said…

At 8:45pm on August 15, 2008, Bill Streeter said…
Here are your other two accounts:
http://lofistl.ning.com/xn/detail/u_tonyrenner
Signed up with this email:
anthonyrenner@wustl.edu

http://lofistl.ning.com/xn/detail/u_1rzuj2570b012
Signed up with this email:
myotherselfstl@yahoo.com
At 8:03am on August 12, 2008, Tony Renner said…
because i can?

-- tony

ps: and because i couldn't remember what e-mail address i used to create the first one (and i don't remember creating three!)
At 10:46pm on August 11, 2008, Bill Streeter said…
Why do you keep creating new profiles? This is your third one on here!
At 10:35pm on August 5, 2008, kopper said…
Heh, you're such a newbie that you commented on your own page. *snarkle*
At 10:47am on August 4, 2008, Tony Renner said…
I must confess that I wasn't especially looking forward to this past Friday night's class at the St. Louis Art Museum because we were going to be doing collages. I find the collages in "the Immediate Touch" exhibit to be not particularly interesting, and I've done work in very similar style in the past. One of the things that I find fascinating about the class are the number of students who will ignore the artwork in the exhibit and merely produce work in a style with which they are already familiar. The point, it seems to me, of each week's particular exercise is to challenge each student to take a step beyond what they are already comfortable with doing. I went into the class dead-set on doing something I'd never done before.

For my first collage, I decided to do a very minimalist collage with only a few elements and very few marks. My first piece was done in like five minutes so I kept poking at it and adding marks. Fortuitously, I spilled my container of India ink on my work surface and, while cleaning in up, decided to use an ink-soaked paper towel to make marks on a blank piece of paper for the basis of another collage. I also soaked the edge of my first collage in the spilled ink.


T. Renner, "Long Nine GL," collage, ink on paper, 9.5" x 13", 2008.

I admit that I spent an inordinate amount of time working on the background for the next collage, adding marks with red watercolor. I just wasn't feeling anything until I went upstairs and looked at the collages in "the Immediate Touch" exhibition. Something then clicked and I rushed back to my collage-in-progress.

I had hoped to find a news-magazine to get some photos from but all that was at hand was a Sotheby's catalog of african folk art. It was cool but I couldn't see how I could use it until I came across the portrait of the guy who had collected it. I feel bad that I was more interested in doing the work than taking notes so I didn't make a note of the collector's name. In an instant, I decided to put a weapon in his hand and to cover the collectors face except for his eyes with a ritual mask. I found a nice object that I could tear up and use to cover the text that appeared on at the bottom of the collector's portrait. Finally, I found the "mug shots" of the Sotheby's staff. It felt wrong to have their names appear so I cross them out with India ink and then decided to further their anonymity by blacking out their eyes.


T. Renner, "Red Sotheby's Faction," collage, ink, and watercolor on paper, 15.25" x 11", 2008.

All of the elements -- the blood red splotches, the weapon, the defaced mug shots, the mask over the collector's face -- add up to one disturbing and threatening piece.

As I was finishing the piece, I realized that it could be read as a statement about the appropriation of African folk art by the western art establishment. The mug shots reminded me of the Baader-Meinhof group of the 1970's, who carried out a series of kidnappings and killings in Germany. As I told the instructor, if I were the members of the Sotheby's staff in my collage I would be very frightened.

Self-grade: A.
 
 

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